Thursday, February 20, 2014

I'm Wicked Through and Through

It's been a while, and I apologize if you have missed my wit and utter awesomeness.

In other news, my blog has gotten over 1,000 views.  That's super cool, and it makes me really excited.  Thanks for being awesome, people.

And now for what I've got to say today.

So I don't know if it's possible to watch a DVD so much that it stops working, but I'm pretty sure that's what will happen to my copy if they ever make Wicked into a movie. 

Disclaimer: there's bound to be spoilers galore to the completely AMAZING play Wicked in this post, so if you don't want to see them, stop reading. 

If you're one of those people that doesn't like Wicked, I encourage you to keep reading, because I'm hoping I can change your mind. 

First of all, I'm just so ready for somebody to make it into a movie (preferably someone who knows what they're doing).  I know I'd see it no less than three times in the theater, I'd pre-order the DVD and be there first thing to pick it up, and I would watch my DVD no less than 1,000,000 times. That is, assuming the movie does the play justice. 

I've seen the play three times (once a year since 2012), and it never fails: every time it's over, I'm always ready to immediately see it again. 

I fell in love with Wicked the first time I heard Defying Gravity on my best friend's phone, and that love just grows every time I see it or listen to the soundtrack (which is quite a few times. Wicked has its own playlist on my Spotify).

I first saw Wicked on Broadway, and that just of course makes it so much cooler. I remember sitting there through the first Act, listening to Dr. Dillamond, and laughing at Elphaba and Glinda as they loathed each other, and wishing I could meet Fiyero and have him sing beautiful music to me. I remember watching Elphaba singing Defying Gravity, then seeing the curtains close and house lights come on as I sat there wondering, "what just went on." The second Act shook me up even more, and after the play my group walked down the streets of New York as I remained in shock thinking, "what just happened. Is this real life? Like, what?"

It intrigued me, and I loved it. 

I loved it so much that I convinced my parents to drive five and a half hours to St. Louis to see it again. We ended up taking a small posse of people. Wicked should be shared with the masses. 

And then, oh goodness, I found out that it was coming back to Memphis. I'm not really sure why I didn't see it the first two times it was there. I feel kind of dumb for being so obsessed with it and missing the first two showings in Memphis. Anywho, one day I found out Wicked was coming back to the Orpheum, and I about lost myself, "WICKED IS COMING BACK TO MEMPHIS."

My mom basically knew we would have to go see it. I mean, it would be here around my birthday, so why not?

And so it totally happened. I drove home from college on my birthday, bringing along my boyfriend and my roommate, to go see Wicked with about fifteen other friends and family members. It had already been a fantastic birthday, and seeing Wicked just made it about 5,000 times better. 

I mouthed the words to every song (I knew the folks around me would have rather heard the actors sing than me, so I was considerate), and I freaked out over the clarinet player.

Tears started forming in my eyes when Elphaba and Glinda sang my most favorite song on the planet, For Good.

And when it was over, after the cast had all taken a bow, and the curtains had closed, I wanted to stay there and watch the whole thing over again.

Like most books and movies, I always catch more each time I see the play.  This time I noticed small things that actually said a lot about the play, its characters, and the themes it develops.

And as I sat in the Orpheum noticing all the literary aspects of the play, I laughed at myself.  I would always joke with my high school English teachers about how they over-analyze everything, always looking for themes and foreshadowing and characterization and metaphors.  Yet there I was, doing exactly that.

However, I realized that it was the literary aspects of Wicked that make it so great, so deep and intriguing.  There’s such a greater meaning to every part of the play, and the way it all works together to not only develop the plot of the play but also relate it to the Wizard of Oz just makes me sit in awe of the writers.

First of all, I love the characterization.  I love how Elphaba is portrayed as not the Wicked Witch, but as a girl who just wanted to belong somewhere, who wanted someone to appreciate her and her quirkiness.  Sure, she does eventually embrace her “wickedness,” but it’s not out of spite.  It’s her way of proving to herself and all of Oz that she doesn't have to change to belong or be accepted; when she acts like herself and stands firm for what she believes, sure, some people won’t agree, but the ones that do, the ones that want to associate with her, will support her and accept her, and there’s nothing like that feeling of belonging.  The foreshadowing – both witty and serious – are super brilliant.  “But I swear someday there’ll be, a celebration throughout Oz, that’s all to do with me!”  In the context of the song (The Wizard and I), Elphaba means a good celebration – one where everyone will be happy, including her.  But if you’ve seen the play you’ll realize that the “celebration” she was talking about is actually the one that the people of Oz are having at the opening of the play – the one celebrating her death.  In the same song she sings, “I’d be so happy I could…melt!”  Did anyone catch that?  Melt?  HAHA.  There are plenty more reasons why Elphaba is just the best, besides the fact that she’s just as green as yours truly.  So green.

When you actually think about it, Glinda is actually a lot deeper of a character than most people probably give her credit for being.  At the surface, she’s a pompous, self-absorbed girly-girl, but she’s so much more than that.  Think about your comfort zone, the place, attitude, and people with whom you are the most comfortable.  Glinda’s comfort zone is being the center of attention, the one who everyone looks to for all the latest fads, the one who always seems to have it together.  Merely being friends with Elphaba forces Glinda to leave that comfort zone.  Elphaba isn’t exactly caught up in the latest trends, and so merely talking to Elphaba could easily be a blow to Glinda’s reputation, and she knew it.  But since the two were forced to room with each other, Glinda couldn’t just ignore Elphaba’s presence, no matter how much she wanted to.  I think the greatest thing, though, is that Glinda and Elphaba’s friendship begins in an ironic manner.  Glinda received a new hat, but to her dismay and those of her group of girlfriends, it wasn’t the prettiest of hats (in their opinion).  As a cruel joke of sorts, Glinda decided the best and easiest way to get rid of the hat would be to give it to Elphaba.  And so with the kindest of tones and fake intentions, Glinda gave Elphaba the hat, and Elphaba believed that “cheery disposition” to be genuine.  So Elphaba went to the head of the magic program and asked her to let Glinda into the program in addition to herself.  The head of the program tells Glinda that she is now in the program, also letting her know it was Elphaba’s idea.  Boy, does that have to shake up Glinda’s conscience. 

I think it’s in that moment, as she’s standing at the dance with her newly received magic wand, watching Elphaba awkwardly dance as the whole school stood there, watching her and judging her, that Glinda saw that something was wrong with her life.  While her comfort zone was just that, comforting, it wasn’t right.

That pang of guilt pushed her to go join Elphaba in her awkward dancing.

In that moment, Glinda left her comfort zone.  She left it for a girl she thought she loathed, yet had done such a nice thing for her after Glinda had been nothing but rude to her.  You have to appreciate this bold move on Glinda’s part.  She didn’t have a cold heart that had pushed her to be rude to Elphaba, she just did it because it kept her in her comfort zone, and that was all she had ever known.

We all have our comfort zones.  I know it takes a very special person or event to get me to leave mine.

Glinda continues to struggle with her comfort zone throughout the second act.  The Wizard offers her a powerful position in Oz that she’d always dream of, but she had to speak out against her best friend.  Her other option?  Fight on Elphaba's side.  But that meant leaving the exalted spotlight, embracing the life of an outcast, basically doing everything she had tried so hard to avoid her entire life.

She chose her comfort zone, the easier, but not necessarily less painful, choice.  Because you can sense her unhappiness as she sings “Thank Goodness.”  The song is dripping with irony, because as Glinda sings the words, “I couldn’t be happier,” you know she, in fact, could be happier.  She would love to have both her comfort zone and her best friend, but that just isn’t an option.  And so she’s not satisfied.  

But the thing I love is that by the end of the play, Glinda understands that in order to stand up for what you believe in, you many times have to leave your comfort zone.  No one forces someone to make that choice, but if and when they do, it speaks volumes about them and their character. 

You won’t always be applauded or celebrated, like Elphaba, but if you’re truly confident, you’ll be satisfied with yourself and your actions.

I think that’s the motivation Glinda had in telling the citizens of Oz the real, complete, untainted story of Elphaba.  She wanted the citizens of Oz to see the confident, supportive, wonderful woman that Elphaba had become, and that all she had done was truly remarkable.

I’ll be the first to argue with you that Glinda changed Elphaba’s life.  I mean, the whole Popular scene was a turning point for Elphaba.

But I’ll also argue that Elphaba changed Glinda’s life.  She showed her more about morals, goals, self-esteem, and confidence in a few short years than I think Glinda had learned her entire life before that.

Elphaba was always confident.  But Glinda, she was confident for all the wrong reasons, and Elphaba changed that.  It makes the song, “For Good,” just all that much better. 

Wow, I've said a lot.  I hope you enjoyed my…um…literary analysis of sorts of Wicked.  It’s just that I love the play so much, because every time I see it, it motivates me in so many ways, and it gives me hope for the world.  It makes me appreciate my best friends even more, those girls that really have changed me for good.  Those girls who taught me more about myself and life and just everything. 

I’m thankful for them and for everyone that has changed me for good.

So have a great day, and remember: Everyone deserves the chance to fly.


Mo